In March 2018, it is two years since the EU-Turkey migrant deal came into effect. Under the deal, Syrian refugees who had reached Greece were to be returned to Turkey, while Syrian asylum seekers in Turkey were to be resettled in the EU. Some regard the deal as a necessary evil; others as a diabolical pact. Gerald Knaus, the founder of a Berlin-based think tank, is the architect of the deal. He is reviled by extreme left-wing and human rights organizations alike but also admired for his intellectual courage. He travels around Europe arguing tirelessly for an asylum policy that is both humane and effective.
Meanwhile, the slow pace of procedures and relocation has left thousands of refugees stranded in horrendous conditions on the island of Lesbos. Local residents, volunteers from across Europe and refugees themselves are trying to alleviate the situation. The EU-Turkey deal now serves as an example for new agreements with countries in North Africa. But does it even work? For whom? And what have we learned from it? Documentary The Deal explores the answers to these questions as well as possible improvements for Europe’s current asylum policy.
The Deal is part of a cross media project ‘The EU Asylum Machine‘, a cross-border, multidisciplinary, transmedia project that explores the complex world of European asylum policy and connected asylum policies of EU member states. The main and initial component is a web documentary providing insight into the European and different national asylum policies and inviting users to think about how they think the policies should work. The EU Asylum Machine brings together investigative journalism, documentary film, photography, interaction and debate. Combining new material (text, photography, film) with excerpts from existing productions, The EU Asylum Machine takes its audience on a journey through the convoluted world of EU asylum policy. We also compare different member states. How do refugee numbers compare to those of our neighbours? Is a common European asylum policy realistic, given the many political compromises such a policy entails?
The project started with De Asielzoekmachine (The Asylum Machine, also available in English), which focuses on Dutch asylum policy. Now this ground-breaking project is looking passed Dutch borders.The EU Asylum Machine combines the expertise of documentary makers, journalists, artists, (web) designers and curators. For the different national projects we are looking for fellow journalists and documentary makers across Europe to use our online and offline storytelling tools to investigate their own asylum policies.
Watch the English subtitled version of The Deal by clicking the button below and using the password: TheDeal2018
Eefje Blankevoort (Montreal, 1978) studied History at the University of Amsterdam. Between 2002 and 2006 she lived in Iran on a regular basis, where she studied, compiled archive for the International Institute for Social History, wrote articles and worked on her book ‘Stiekem kan hier alles’ (‘on the sly, everything is possible here). In between she enrolled in a year-long graduate program American Studies at the ‘all women college’ Smith College, Massachusetts. Eefje writes articles and books, direct and edits (commissioned) films. She published the books ‘The Refugee Jackpot’ (together with photographer Karijn Kakebeeke) and ‘Dream City’ (together with photographer Anoek Steketee). In 2014, she made the interactive web documentary ‘Love radio’, in 2016 ‘The Asylummachine’ and in 2017 ‘The Holy Road’ (together with Dirk-Jan Visser).